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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond in Leeds in 1977

Dave Ball, one half of the innovative 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the duo achieved a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.

He later formed the pioneering techno group The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his rest at his home in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the previous couple of years, after a spate of ill-health.

"I managed to damage myself quite a bit," he commented in a recent interview. "I fractured spinal bones in my spine and fractured about five ribs and fractured my arm."

Following contracting pneumonia and developing blood poisoning, he was placed in an induced coma and stayed in the hospital for half a year.

Nevertheless, he had been in "a great place mentally" over the warmer months, as he was developing a new album with Almond, titled the upcoming Danceteria, which is scheduled for publication next year.

"He was concentrated and so happy with the latest project that we literally completed only a few days ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the early 1980s

Heartfelt Messages

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an significant aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is different from joining a band, the bond is very tight," he continued.
"That's how it was with us. We experienced so many remarkable, extraordinary, life-affirming moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Born into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He grew up in the seaside town with his new family Donald and Brenda Ball, who changed his first name from his birth name to David, together with his younger sister Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Inspired by a mutual passion of a music genre, they established Soft Cell the same year, and quickly recorded an EP.

Creative Collaboration

The pair were an unusual combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a charismatic performer, all glitter and makeup; but they achieved a rare creative synergy.

Ball had cultivated a interest with synthesizers after watching Kraftwerk perform on a television science show Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was writing.

Tainted Love became the UK's second most popular single of the early 80s, shifting 21 million copies globally. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it contributed to cleared the way for the electronic music style of the 1980s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were developing fresh songs until just before Ball's passing

Career Highlights

Fame had its upsides. "I loved being able to purchase my first home, having money and travelling, which might seem like a Miss World," Ball not long ago shared with a publication.

But it also caused challenges. "Sudden riches meant we could afford newfound drugs to relieve the monotony" of press appearances and TV performances, Ball said.

"I know that's a common saying, but it's a cliché for a valid cause, because it applies for so many musicians."

Amidst the party-filled existence, the duo were also drifting apart, but they succeeded to produce a follow-up classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before ending the group to concentrate on individual endeavors.

Almond proceeded to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, producing the Top 40 album Cruelty Without Beauty.

After another break, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on September 30, 2018.

However, they stayed together, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's new album as a tribute to the NYC nightlife they visited while recording their first two albums.

He added that his period in hospital had influenced the band's sound.

"I had unusual memories when I was in and out of the hospital because I was on pain medication," he explained to a publication.
"Our latest tracks are a electronic representation of the sounds in my head from that time.
"In parallel, it's about the experiences me and Marc got up to in the 80s."

The final mixes were finished only a short time before Ball died. It is scheduled for release in the spring of 2026.

JR
Written by

Jennifer Rich

Professional poker player and strategy analyst with over a decade of experience in online tournaments and cash games.

Plasma Poker

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